Maybe AI can save us (by accident)

Given the rapid growth of generative AI and society’s addiction to manipulative, corporately controlled online platforms, you might think this is the end of skilled creativity. If anyone can make a film or a song or a novel in seconds, what’s left for skilled artists and craftspeople? 

Well, quite a lot, I think. 

Yes, we need to fight tooth and nail against the wholesale theft of our work by tech corporations, the loss of livelihoods, and the flooding of culture with soulless, vacuous simulacrums of creativity. Let alone the ecological damage and data harvesting. But I keep thinking about how MP3s and file sharing were going to kill live music, which has, in fact, flourished. At the time, it felt that, after the initial excitement waned, the ubiquity of downloads ended up increasing the value of in-person experience. 

AI is now a spectacle in both the everyday and Debordian senses of the word. But as it is revealed as a kind centripetal force, pushing culture into smooth unoriginality, it will, I believe, remind us of our profound need for human community and connection, and for originality, creativity and craft. It will increase the cultural value of things evidently made by humans, using their skill and expressing something original, meaningful and authentic. It will help us appreciate the rough edges – the grit in the oyster – which allow art to take us to new and challenging places; places we didn’t expect to go.

That is good in itself and gives me hope for the creative sector, both professional and participatory, whether it’s live performance, art manifestly made by human hands, author readings and book signings, craft workshops, communal music-making and dancing… All the myriad points of creative connection that help hold society together.

But I have another hope, too; that if more and more people step away from the circus of corporate spectacle, see the atomised, narcissistic and easily exploitable society it fosters, and seek meaning and fulfilment through human creativity – especially co-creativity – we may also find we’re nurturing the conditions needed for meaningful, radical political change.

Creativity and the Real Power of Saying ‘No’

One of the most persuasive kinds of mendacity occurs when a misleading statement is, at face value, true. There’s a reason why it’s not just ‘the truth’ we ask for, but also ‘the whole truth and nothing but the truth’.

An article I saw a while back (but have now lost*) argued that a key indicator for creative success is the ability to say ‘no’ in order to refuse distractions and focus on work. The particular trigger for this was that a researcher had approached a bunch of creative people to find out what made them tick and had been struck by how many of them either didn’t get back to him or refused on the basis that they were too busy being creative. The implication is that by refusing to get involved with other stuff you maximise your creative time and keep your focus, ergo saying ‘no’ is good for creativity. Well, kinda. You have to have a lot else going on besides saying ‘no’; you need decent ideas, high standards, tenacity and the rest.

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